10. He also arranged the French national anthem La Marseillaise. Il a aussi compose l’hymne national français, la Marseillaise. 11. On 8 March 1869, Berlioz died at his Paris home, No.4 rue de Calais, at 30 minutes past midday. Le 8 mars 1869, Berlioz est mort dans sa maison de Paris, numéro 4 rue de Calais, à midi et demie. 12. His last words were reputed to be "Enfin, on va jouer ma musique". On dit que ses derniers mots furent : “Enfin, on va jouer ma musique.” 19. It is believed that Berlioz wrote this movement, under the influence of drugs. On croit que Berlioz a écrit ce movement sous l’influence de la drogue. 13. Convinced that his love is unappreciated, the artist poisons himself with opium. Convaincu que son amour est ignoré, l’artiste s’empoisonne avec de l’opium. 14. The dose of narcotic, while too weak to cause his death, plunges him into a heavy sleep accompanied by the strangest of visions. La dose de narcotique, quoique trop faible pour le tuer, le plonge dans un profond sommeil accompagné des plus étranges visions. 15. He dreams that he has killed his beloved, that he is condemned, led to the scaffold and is witnessing his own execution. Il rêve qu’il a tué son aimée, qu’il est condamné, mené à l’échafaud et assiste à sa propre exécution. 16. As he cries for forgiveness the effects of the narcotic set in. Alors qu’il implore le pardon, les effets du narcotique se manifestent. 17. He wants to hide but he cannot so he watches as an onlooker as he dies. Il veut se cacher mais ne le peut pas, et regarde donc comme un spectateur alors qu’il meurt. 18. At the end of the march, the first four bars of the idée fixe reappear like a final thought of love interrupted by the fatal blow when his head bounced down the steps. A la fin de la marche, les quatre mesures de l’idée fixe réapparaissent comme une dernière pensée d’amour interrompue par le coup fatal lorsque sa tête choit sur les marches.

1.It is believed that he piece is dedicated to (auburn-haired) singer Marie Blanche Vasnier for whom the much younger Debussy wished to create songs inspired by her voice. Il est dit que la pièce est dédiée à la chanteuse Marie Blanche Vasnier (aux cheveux auburn), pour qui Debussy, beaucoup plus jeune, désirait créer des chansons inspirées par sa voix. 2.The piece is 39 bars long and lasts about two and a half minutes. La pièce compte 39 mesures et dure environ deux minutes et demie. 3.It is one of the most recorded of Debussy's pieces C’est l’une des pieces de Debussy que l’on a le plus enregistrées. 4.Hector Berlioz was born in France at La Côte-Saint-André in the département of Isère, near Grenoble. Hector Berlioz est né en France à la Côte-Saint-André dans le département de l’Isère, près de Grenoble. 5. His father, Louis-Joseph Berlioz, a respected[5] provincial physician[6] and scholar, was responsible for much of the young Berlioz's education. Son père, Louis-Joseph Berlioz, un lettré et médecin de province respecté, a été responsable d’une grande partie de l’éducation de jeune Berlioz. 6. Berlioz was not a child prodigy, unlike some other famous composers of the time. Berlioz n’était pas un enfant prodige, contrairement à certains autres compositeurs célèbres de l’époque. 7. He began studying music at age 12, when he began writing small compositions and arrangements. Il a commencé à étudier la musique à 12 ans, en écrivant de petits arrangements et compositions. 8. As a result of his father's discouragement, he never learned to play the piano. Du fait de la dissuasion de son père, il n’a jamais appris à jouer du piano. 9.The majority of his early compositions were romances and chamber pieces. La majorité de ses compositions de jeunesse étaient des romances et de la musique de chambre.

I add my reply to David Choi here too because I feel it will clarify my question, which is not precise enough in the original message. "취지 대화 내용" literally meaning "the conversation of the aim" is precisely my problem, I don't exactly know which role it is supposed to fill in the sentence. I think I was not precise enough in the first question. You might see the problem if I directly try to translate and show where it becomes difficult. And actually I have trouble understanding the last part of the sentence too. 여기에는 박씨에게 반감을 갖게 된 A양이 I understand at least this part : "Miss A, who turns out to have animosity towards mister Park" 박씨를 곤경에 몰아넣겠다는 취지의 This one seems clear too : "The aim, which is to put mister Park in trouble" 대화 내용이 들어 있는 것으로 전해졌다. I don’t understand this part at all. The conversation has been reported to be contained ? But in what is it supposed to be contained ? It becomes even more difficult when I think about the relation between "취지의" and "대화 내용". Literally, it seems to mean "the conversation of the aim" or "the aim’s conversation content", but these expressions don’t really make sense in English ; one would expect "the conversation’s aim" (대화 내용의 취지), and even that doesn’t really make sense since in Korean, 대화 내용 is the conversation as a content and not as the act of speaking presently, and it is difficult to say that a content (내용) itself has an aim (취지). I hope my problem became a bit clearer now ^.^

Rest well, Rach_US ! Mojave, thank you for your answer, I've thought about something similar too but I thought it would be better to check here to be sure...