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Ya Wen
Someone who can dance well may not equally good at teaching As a trained dancer, I always hear people from the dance filed say: “someone who can dance well may not equally good at teaching”. Why do they have this comment? I will discuss this topic from a view of different functions of the left and the right brain. In my understanding, self-dancing is merely a personal experience, mainly performed by the right brain which is in charge of sensibility. When one in dance, he expresses the beauty of dance through the physical body by tuning into his intuition. He doesn’t need to verbally communicate with others while dancing. He may need to think of how to perform bodily movements in terms of the aesthetic sense, or highly aware of a subtle change from movement to movement; however, everything only happens inward. On the contrary, dance teaching has more layers of transmission processes requiring the function of analysis of the left brain, namely how you can pass on your understanding in dance to the other. This involves the usage of multiple teaching skills including movement demonstration, verbal explanation, analysis of the dance, imaginary guiding. In so doing, it gives a clear guideline of how to perform a specific dance movement in order for the participant to understand fully both bodily and theoretically.

Corrections · 8

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Someone Who Dances Well May Not Be Good at Teaching

As a trained dancer, I always hear people within the profession say, “Someone who can dance well may not be equally good at teaching”. What is the rationale behind this comment? I will discuss this question in view of the different functions of the left and the right brain.

In my opinion, unaccompanied, or solo dancing, is a deeply personal experience, mainly controlled by the right brain, which is in charge of sensibility. Whenever someone dances in this manner, he or she is using their physical body to express the rhythm of the dance by merely following their intuition. While they may occasionally need to consciously think of how to perform bodily movements in terms of an aesthetic sense, or to be briefly aware, in order to control a subtle change from movement to movement, everything else happens subconsciously, if not instinctively.

Conversely, teaching someone how to dance requires the analysis function of the left brain, which has more layers of transmission processes, and is how you are able to express, as well as demonstrate, your understanding of dance to another. This involves multiple teaching skills including movement demonstration, verbal explanation, analysis of the dance, and imaginary guiding. When done correctly, such teaching often provides a clear guideline of how to perform a specific dance movement in order for the participant to replicate it completely, both theoretically and physically.*

Hi, Ya Wen. Great job! Whatever changes I made were to allow your sentences to sound more natural to my native ears, to clarify your thoughts, and for ease of reading. Sincerest apologies if I misinterpreted. I hope that this helps you. J.

*Over the past few years, I had thought that “Right brain/Left brain” theory has fallen out of favor, so I am not sure whether it should serve as the basis of your analysis. Personally, I have never heard the term, “self-dance,” thus, changed it to "unaccompanied" and “solo.” Finally, as to your last sentence, as originally written, it was an “absolute” statement, however, my own teaching experience has been that the conceptual limitations and physical shortcomings of each student are the difference between one being at the top of the class, and others being a level or two below, despite both receiving the same exact teaching. Therefore, I “qualified” it by inserting the word, “often.”

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> > > Interesting topic and well written! You have a firm grasp of writing in English. Not positive what you meant in place of 'filed' but I assume 'field'.

Someone who can dance well may not equally good at teaching

As a trained dancer, I always hear people from the dance filed field say: “someone who can dance well may not equally good at teaching”. Why do they have this comment? I will discuss this topic from a view of different functions of the left and the right brain.

In my understanding, self-dancing is merely a personal experience, mainly performed by the right brain which is in charge of sensibility. When one in dances, he expresses the beauty of dance through the physical body by tuning into his intuition. He doesn’t need to verbally communicate with others while dancing. He may need to think of how to perform bodily movements in terms of the aesthetic sense, or be highly aware of a subtle change from movement to movement; however, everything only happens inward.

On the contrary, dance teaching has more layers of transmission processes requiring the function of analysis of the left brain, namely how you can pass on your understanding in dance to the other. This involves the usage of multiple teaching skills including movement demonstration, verbal explanation, analysis of the dance, imaginary guiding. In so doing, it gives a clear guideline of how to perform a specific dance movement in order for the participant to understand fully both bodily and theoretically.
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Hello, Sundari! Excellent revision! Correction: "Someone who can dance well may not be equally good at teaching." (Add the word "be") I'm very impressed with your progress ;)
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Thanks for my super English tutor Anthony corrected my writing!! Correction: Good Dancers Are Not Always Good Teachers As a trained dancer, I always hear people from the dance field say, “Someone who can dance well may not equally good at teaching.” Why do they have this comment? In this article, I will discuss this issue in light of left- or right-brain preference. In my understanding, dancing is merely a personal experience, mainly performed by the right brain, which is in charge of sensibility. When a person is dancing, she expresses the beauty of dance through the physical body by tuning into her intuition. She doesn’t need to verbally communicate with others while dancing. She may need to think of how to perform bodily movements in terms of the aesthetic sense, or be highly aware of a subtle change from movement to movement; however, this experience is purely subjective. On the contrary, teaching dance involves using the left-side of the brain more because a dance instructor must always be aware of how to efficiently and effectively transmit her knowledge and experience to her students. This involves multiple teaching techniques, including movement demonstration, verbal explanation, analysis of the dance, imaginary guiding. In so doing, it gives a clear guideline of how to perform a specific dance movement in order for the participant to understand the lesson both bodily and theoretically.

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