Working on a Composition
The most interesting thing in my profession that I like to work on is the composition. It mostly concerns non-dramatic texts, such as prose, poetry or myths. Having these texts as unstructered from dramatic point of view, you ought to create not only a performance, but also the new dramatic structure.
Sometimes it is quite difficult to do. I call this genre a theatrical opus. Such kind of work gives you some advantures along with difficulties. First, you can create some more episodes that you need. You can also use a montage as an active instrument, mounting time and space in different combinations. You can find a theatrical language that will be more complex and unpredictable than it has been ever before. Your thought and idea can be released out of a linear cage of the written play and become really authentic.
Search from various English teachers...
Corrections · 1
1
Working on a Composition
The most interesting thing in my profession that I like to work on is the composition. It mostly concerns non-dramatic texts, such as prose, poetry or myths. Having these texts as unstructered from dramatic point of view, you ought to create not only a performance, but also the new dramatic structure.Sometimes it is quite difficult to do. I call this genre a theatrical opus. Such kind of work gives you some advantures along with difficulties. First, you can create some more episodes that you need. You can also use a montage as an active instrument, mounting time and space in different combinations. You can find a theatrical language that will be more complex and unpredictable than it has been ever before. Your thought and idea can be released out of a linear cage of the written play and become really authentic.
The thing I that I find most interesting in my profession, and that I most like working on, is composition. Mostly I am concerned with non-dramatic text, such as prose, poetry or myths. Since these texts are unstructured from a dramatic point of view, one needs to create not only a performance, but an entirely new dramatic structure.
Sometimes this is quite difficult to do. I call this genre a theatrical opus. This type of work can be an adventure but it comes with many difficulties. First, you can create more episodes than you need. You can also use a montage as an active instrument, mounting time and space in different combinations. You can find a theatrical language that is more complex and unpredictable than it has ever been before. Your thoughts and ideas can be released from the linear cage of the written play and become truly authentic.
Possibly you intended "First you must create more episodes than you need."
Want to progress faster?
Join this learning community and try out free exercises!
Don’t miss out on the opportunity to learn a language from the comfort of your own home. Browse our selection of experienced language tutors and enroll in your first lesson now!
Start Learning Today
