I do not know you have to understand what aspects of peking-opera。 Faces， I do not know what this means。Perhaps you say is脸谱，Like this picture？ http://image.baidu.com/i?ct=503316480&z=&tn=baiduimagedetail&word=%C1%B3%C6%D7+%BE%A9%BE%E7&in=25722&cl=2&lm=-1&pn=1&rn=1&di=49330950225&ln=2000&fr=&fmq=&ic=&s=&se=&sme=0&tab=&width=&height=&face=&is=&istype=#pn1&-1&di49330950225&objURLhttp%3A%2F%2Fwww.aaagj.com.cn%2Fjjlp3%2Fr006.jpg&fromURLhttp%3A%2F%2Fwww.aaagj.com.cn%2Fjjlp3%2Flp052.html&W600&H832

ok , i can

Beijing opera types of facial makeup in operas are based on certain personality, temperament or some special types of figures for the use of certain colors. Red has expressed his Warriors of strong types of facial makeup in operas such as Guan Yu, concubines Victoria, regular book; Black said the types of facial makeup in operas ming criticized people, integrity, bravery and even reckless, such as Zheng and Zhang Fei, Li; Yellow types of facial makeup in operas that vicious brutality, such as Yu Chengdu, and Dian Wei. Blue or green types of facial makeup in operas that some of the figures represented irritable, such as Dou Ambassador, Ma Wu; General treacherous court official said the types of facial makeup in operas white, bad guys, such as Cao Cao, Zhao higher. Beijing opera types of facial makeup in operas of color painting methods, basically divided into three categories : rub face, face towel, different faces. Types of facial makeup in operas initial role is exaggerated her role with striking places and face the veins, using exaggerated by the performance of dramatis personae of personality, psychological and physiological characteristics, and using this to the entire drama circumstances, but Later types of facial makeup in operas by Kan to complex, from rough to the small, Youbiaojili, from shallow to deep, itself becoming a nation of characteristics, to the facial expression means for the pictorial arts PS: it isn't written by myself ,I googled it on the internet